Luneta: The mother of all Rizal Parks


Peaceful Life in Dapitan | ||
| During the early part of his exile in Dapitan, Rizal lived at the commandant’s residence. With his prize from the Manila Lottery and his earnings as a farmer and a merchant, he bought a piece of land near the shore of Talisay near Dapitan. On this land, he built three houses- all made of bamboo, wood, and nipa. The first house which was square in shape was his home. The second house was the living quarters of his pupils. And the third house was the barn where he kept his chickens. The second house had eight sides, while the third had six sides. In a latter to his friend, Ferdinand Blumentritt, on December 19, 1893, Rizal described his peaceful life in Dapitan. "I shall tell you how we lived here. I have three houses-one square, another hexagonal, and the third octagonal. All these houses are made of bamboo, wood, and nipa. I live in the square house, together with my mother, my sister, Trinidad, and my nephew. In the octagonal house live some young boys who are my pupils. The hexagonal house is my barn where I keep my chickens." "From my house, I hear the murmur of a clear brook which comes from the high rocks. I see the seashore where I keep two boats, which are called barotos here." "I have many fruit trees, such as mangoes, lanzones, guayabanos, baluno, nangka, etc. I have rabbits, dogs, cats, and other animals." "I rise early in the morning-at five-visit my plants, feed the chickens, awaken my people, and prepare our breakfast. At half-past seven, we eat our breakfast, which consists of tea, bread, cheese, sweets, and other things." "After breakfast, I treat the poor patients who come to my house. Then I dress and go to Dapitan in my baroto. I am busy the whole morning, attending to my patients in town." "At noon, I return home to Talisay for lunch. Then, from 2:00 to 4:00 p.m., I am busy as a teacher. I teach the young boys." "I spend the rest of the afternoon in farming. My pupils help me in watering the plants, pruning the fruits, and planting many kinds of trees. We stop at 6:00 p.m. for the Angelus." "I spend the night reading and writing." |

Kim Phuc and son , more than two decades after the war
Hers is an amazing story of unspeakable tragedy and the triumph of the human spirit. After 14 months of hospitalization, 17 surgeries and countless hours of rehabilitation, her body was horribly scarred, her heart bitter, and her spirit crushed. And angry. Her damaged nerves continually sent intense pain signals to her consciousness and everywaking hour was torture.
So how did Kim Phuc become the peaceful and happy person she is today? In a word: forgiveness. In more words, check this out. For the complete works, buy the book.
And here are the lyrics of a song Eric Geurts wrote for Kim.
Still not convinced? Check out the youtube videos of his concerts. This guy has been all over the world and in a recent trip to Europe he was given a standing ovation by thousands of Filipinos and Europeans alike.
In Edu Manzano's words:
"And then meron pa kaming ginawa, kinuha po namin yong rights, binayaran po namin yong rights, kasi hindi pwedeng ipirata yong kantang yan, kinanta uli po ni Jed Madela doon sa gathering namin with the Filipino community, 25,000 Filipinos po, andun yong mga Mayor ng Rome, mga Conciliary, mga Deputy Mayors, kung sino sino pong mga Italyano, mga security namin puro Italyano. Anyway, dahil nung nabayaran na, pinahirit ko ulit kay Jed Madela. Mga kaibigan 25,000 Filipinos ang nag standing ovation, kasama din po yong mga Italyano para lang sa isang Pilipino."
Jed Madela was here. Yes, he was. And where was I? Not at the concert! For the simple reason that I did not know what an incredible artist this Jed Madela is. I thought he was another of those matinee idols who look good but can't carry a tune, and we've had a lot of these coming here at this time of year in the past. And also because the venue was at the Convention Center instead of at the Luce Auditorium, where I believe all real talents should perform instead of anywhere else here, mainly because of the acoustics and the seats that are really comfortable for the audience.
I did not like my last concert experience at the Convention Center (Bossa Nova featuring Sitti in February 2008) because the people were walking, buying food from the stalls on the side, eating and talking while the concert was going on. So many distractions. And the floor is flat so if you're seated at the back, it's quite difficult for you to see the stage. Unlike at the Luce, which is an auditorium where the seats are gradually elevated towards the back, no matter where you sit you still get an unobstructed view of the stage, although the people are smaller the farther away you are.
As for Jed Madela, the next time he comes to town, I'll be sure to watch his show (hopefully it will be at the Luce). As for you, in case he has a concert near your place in the future, I strongly suggest you get a ticket and see that Filipinos are not only good in boxing (and copying) but in singing, too. But you already knew that, of course.
Courtesy of Kira Katrina Ma, the newest, prettiest, sweetest,
REGISTERED ELECTRICAL ENGINEER in the Philippines!!!
Congratulations, Ate KringKring! We are so proud of you!
And by the way, Silliman University has been ranked among the top performing schools nationwide for doing well in the September 2008 licensure exam for electrical engineers.

jude, kring2x, ernie
6 x 5 x 6 or the number of years it took them to finish college


Here's another thing I like about Marquez:
The title of a novel he wrote: Love in the Time of Cholera. Very interesting title. Cholera is not a very romantic illness, in fact it is quite morbid can be tragic. And on a local note, there's been a cholera outbreak in one of the northern towns here in Negros these past few weeks. I am thinking along medical lines here but criticisms about that novel say that the cholera there did not necessarily refer to the medical illness but rather to social ills.
Speaking of medical illnesses, in 1999 Marquez was diagnosed to have cancer of the lymphatics and this sort of jolted him. My golly, he must have said. I have so many words and stories in me yet that need to be told before I bite the dust. And so he...
"...reduced relations with my friends to a minimum, disconnected the telephone, canceled the trips and all sorts of current and future plans", he told, the Colombian newspaper, "...and locked myself in to write every day without interruption."
Wow. Three years later, this is the product of that hermitic life, Living to Tell the Tale (Vivir Para Contarla), the first volume in a trilogy of memoirs.
AND this 81 year old author is finishing a new novel, yet untitled, scheduled to be released by yearend.

When we got to the SU White House, the passage reading was underway. Here's the line-up of hilarious poems read with panache by the writing fellows and the panelists as well.
"Pushing sixty and hanging on" by Jaime An Lim
"Umbrella" by Rihanna
"Bowl Limn Yeah" by Paolo Manalo
"The reader in love" by Cesar Ruiz Aquino
"Poem" by Simon Armitage
"Usa ka gabiing wa'y sud-an ug wa'y bituon" ("A night with no viand and no stars") by Adonis Durado **
"I'm glad I'm a man/ I'm glad I'm a woman" by Anonymous **
"Balaki ko, Day, samtang gasakay tag habal-habal" ("Recite me a poem, dear, while we ride this motorbike") by Adonis Durado
"Response: Bb. Pilipinas" by Janina San Miguel
"Sana" by Masculados
"Anatomy of a kiss" by Larry Henares
(** crowd favorites)
Panelists Cesar Aquino, Butch Dalisay and Rowena Torrevillas read their own poems, too.
Notice that the evening's event was carefully not called "reading of humorous poetry" because some of the pieces read would most probably not pass as poetry. All the pieces were hilarious, nonetheless, and a fun filled evening was had by all.
________________________
Here are the fellows to the 47th Dumaguete National Writers Workshop currently being held for three weeks this May in Silliman:
POETRY:
Lawrence Anthony Rivera Bernabe (UP Visayas)
Noelle Leslie G. dela Cruz (Philosophy Assoc. Professor, De La Salle University)
Ma. Celeste T. Fusilero (Ateneo de Davao)
Rodrigo Dela Peña (London PR Consultancy Creative Assoc., Dumaguete)
Arelene Jaguit Yandug (English Asst. Professor, Xavier)
Bron Joseph C. Teves (Silliman)
FICTION:
Marguerite Alcarazen de Leon (Ateneo de Manila)
Dustin Edward Celestino (UP Dilliman)
Joshua L. Lim So (De La Salle)
Liza Baccay (Speech Pathologist; contributor Cebu Daily News)
Fred Jordan Mikhail T. Carnice (Silliman)
CREATIVE NON-FICTION:
Ma. Elena L. Paulma (Xavier)
Anna Carmela P. Tolentino (De La Salle)
Lamberto M. Varias, Jr. (UP Dilliman)
As for me, I am not a fellow, just an avid listener to the discussions and dissections of the literary works of the fellows. I am way too far behind the caliber of these young people. Only in their twenties and thirties and they write so well already. I am having the time of my life though, hearing people talk pithily about the persona, paradoxes, metaphors, heightened language, multiple meanings, images, cliches, word choices, line cutting and other such exotic fare.

Most people would like to finish college and graduate in the shortest possible time. Perhaps I belong to the weird ones who can’t seem to detach themselves from the academe. I just love going to school. (Ouch, stop throwing that…)"JUST like any other teener, 13-year-old Chelsea Bernasconi is supposed to be discovering the joy of being an adolescent, hanging around with her friends, or spending more time at the chat room. But since getting hooked up into sports as early as seven beginning with gymnastics, Chelsea discovered how meaningful life can be with the talent God gave her.
Chelsea , whose real name is Francesca Ysabel, related to Standard Today recently that she dreams of playing in the Olympics someday. "
photo courtesy of kaotepDamien Rice dedicated a song called "Unplayed Piano" to one of the greatest women in our time.
.
.Come and see me
Sing me to sleep
Come and free me
Or hold me if I need to weep
Or maybe it's not the season
Or maybe it's not the year
Or maybe there's no good reason
Why I'm locked up inside
Just cause they wanna hide me
The moon goes bright
The darker they make my night
Unplayed pianos
Are often by a window
In a room where nobody loved goes
She sits alone with her silent song
Somebody bring her home
Unplayed piano (unplayed piano)
Still holds a tune (still holds a tune)
Lock on the lid (years, years pass by)
In a stale, stale room (in the changing of the moon)
Maybe it's not that easy (too many windows)
Or maybe it's not that hard (in a stale, stale room)
Maybe they could release me (stale, stale room)
Let the people decide I've got nothing to hide
I've done nothing wrong
So why've I been here so long?
Unplayed pianos
Are often by a window
In a room where nobody loved goes
She sits alone with her silent song
Somebody bring her home
Unplayed pianos
Are often by a window
In a room where nobody loved goes
She sits alone with her silent song
Somebody bring her home
Unplayed piano (unplayed piano)
Still holds a tune
Years pass by
In the changing of the moon.
.